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December 29, 2012

Jersey Boys Musical Tour at Fisher Theatre – Review

The Jersey Boys Musical first national tour currently performing at Fisher Theatre through January 6, 2013. Jenn McKee reviewed the musical at PrideSource.com. Here is the review:

The show tells the story of the 1960s pop sensation Frankie Valli and The Four Seasons, consisting of: band founder and leader Tommy DeVito (John Gardiner), who has run-ins with the law and runs up gambling debts; routine-obsessed bass Nick Massi (Michael Lomenda); talented young songwriter Bobby Gaudio (Miles Jacoby); and the young guy with the angelic, high voice that made everyone sit up and take notice, Frankie Valli (Nick Cosgrove).

What you’ll notice within minutes of “Jersey Boys” is what capable hands you’re in, in terms of the storytelling. Book writers Marshall Brickman and Rick Elice masterfully cherry pick salient details from the group’s biography, and not a word or moment is wasted; meanwhile, director Des McAnuff keeps the pace snappy without ever losing clarity, so that even though we’re quickly hopping to different locales in the opening moments while absorbing the necessary exposition, the energy stays high, and the audience stays engaged.

It doesn’t hurt either, of course, that the cast is uniformly outstanding.

Lomenda is hilarious as quirky Nick; Gardiner makes Tommy self-assured and witty, but also low-burn menacing; Jacoby’s Bobby is unabashedly candid, aware of his strengths and weaknesses, and wise beyond his years; and Cosgrove is a knockout, with vocals that soar.

Klara Zieglerova designed “Jersey Boys” steel-girded set, which features a raised bridge across the stage that provides a second level for the play’s action. Jess Goldstein’s costume design helps The Four Seasons come to life more fully on stage, while also, with other characters, hinting at the passage of time. Michael Clark’s Roy Lichtenstein-inspired projections sometimes help establish setting, sometimes just echo the action; and Howell Binkley’s lighting design keeps the audience’s eye where it needs to be as the fast-paced tale unfolds. Finally, Sergio Trujillo’s choreography perfectly captures The Four Seasons’ crisp, synchronized dance moves; it’s a joy to watch.

Interestingly, “Jersey Boys,” in some ways, shouldn’t work as well as it does. When biographical adaptations try to focus on a broad range of time (as “Jersey Boys” does) instead of a specific, pivotal moment, they often feel shapeless, baggy and unsatisfying. And as a rule, I’m not a big fan of the juke box musical – the shows often feel painfully labored and self-conscious. But Brickman and Elice have cracked the code by letting each of the band members tell their side of the story, and incorporating The Four Seasons’ ear-candy music at perfect, and thematically relevant, intervals.

Read the complete review {Via PrideSource.com}

Buy Jersey Boys Fisher Theatre Tickets Online at discounted prices, SAVE $10 when you spend $350+ by using code AFF$10.

Jersey Boys Broadway Box Office Update for the Week Ending 12/23/2012

Jersey Boys Broadway Musical grossed $950,424 and had an attendance rate of 83.1%, about 5.3% less than that of the previous week. The 31 shows on the boards grossed $25,850,278, improving around 10.18% from the previous week’s totals.

Below are the Top 16 Grosses from BroadwayWorld.com for the week ending December 23, 2012.

1. The Lion King – (MINSKOFF) $2,129,609
2. Wicked – (GERSHWIN) $2,100,170
3. The Book Of Mormon – (EUGENE O’NEILL) $1,684,372
4. A Christmas Story – (LUNT-FONTANNE) $1,491,488
5. Spider-Man Turn Off The Dark – (FOXWOODS) $1,471,237
6. ELF – (AL HIRSCHFELD) $1,233,926
7. Glengarry Glen Ross – (SCHOENFELD) $1,194,666
8. Annie – (PALACE) $1,156,962
9. Once – (JACOBS) $1,070,355
10. The Phantom Of The Opera – (MAJESTIC) $978,948
11. Newsies – (NEDERLANDER) $952,451
12. Jersey Boys – (AUGUST WILSON) $950,424
13. Mary Poppins – (NEW AMSTERDAM) $888,346
14. Cat On A Hot Tin Roof – (RICHARD RODGERS) $910,619
15. Evita – (MARQUIS) $774,870
16. Mamma Mia! – (WINTER GARDEN) $761,891

{Via BroadwayWorld.com}